Secondary narrator – a technique used to involve readers in a story.

Primary narrator – someone who addresses the viewer and readers directly.

Protagonist narrator – a character who has his/her own opinions, feelings, and thoughts and can be written in first-person POV and third-person POV.

Third person or omniscient narrator – not a participant or a character in a story.

Second person narrator – the protagonist or the main characters are addressed by pronouns like ‘You’.

First-person narrator – an active or a full participant of the story.

There are various types of narrators, such as, Attention is focused on the fact that a high degree of unreliability is based on the limited knowledge of the heroes, direct participation in the events, a problematic. The markers of unreliability of the narrators are emphasized. The use of narrative strategies in accordance with the scientific classification by Genette (1980) is investigated. The emphasis is made on the critical analysis by other literary scholars of the novel “Rites of Passage” by Golding. It has been found that Golding uses a wide range of narrative techniques.

It is noted that the aforementioned work has a vibrant didactic component. The unreliable narration is reviewed based on the example of the novel “Rites of Passage” by Golding (1980). The meaning of the words “narrator”, “unreliable narration” is investigated. The article is devoted to the consideration the problem of the phenomenon of an unreliable narration in the British intellectual prose of the second half of the twentieth century (Golding, Murdoch). If this much is accepted, unreliable narration may be defined in terms of a range of departures from this basic model. Using the test case of Nick Carraway in The Great Gatsby, five determinants of a reliable narrator in first-person fiction are suggested: a secure speaking-location back home the use of the classical middle style of standard English observer-narrator status ethical maturity and a plot structure which involves the retrospective re-evaluation or Aristotelian anagnorisis of a character other than the narrator. The linguistic concept of markedness provides the critical means for doing this. This paper suggests that the key to resolving this debate is the formulation of a more secure definition of narrative reliability. But this attempted linkage was never a truly secure one and in the intervening years, a protracted debate has persisted regarding this central issue. Booth suggested that the notion of reliability was best defined in terms of its underlying relationship to the implied author. In The Rhetoric of Fiction (1961), Wayne Booth first proposed the critical concepts of the reliable and unreliable narrator. Here, terms like ‘implicit author’, ‘omitted author’, ‘double narratees’ and ‘constructive readers’ are introduced and illustrated by examples of Dennis Cooper and Edgar Allan Poe. In the article, he proposes a model for describing the different dynamic roles the authorial agent, as well as the empirical reader, plays in different forms of unreliable narration. And a third with attention paid to the role of unreliable narrators in factual narratives. Another with specific focus on unreliable simultaneous narration (first person, present tense). In the first part of the article, he questions this claimed essentiality of an authorial agent from three different angles: One concerning the border between diegetic and extradiegetic issues. In the article »The Dynamics of Unreliable Narration«, Hansen is considering to what extent the question of authorial control or intention is relevant when analysing and interpreting unreliable narrators.

Per Krogh Hansen brings attention to one of the most discussed narratological concepts in recent years, the ‘unreliable narrator’.

Limited narrator definition